DAWN OF THE APOCALYPSE - Ayn Rand, H.G. Wells, Jack London, Jonathan Swift, Edward Bulwer-Lytton, Edgar Allan Poe, Owen Gregory, Hugh Benson, Edward Bellamy, Mary Shelley, William Hope Hodgson, Fred M. White, Ignatius Donnelly, Ernest Bramah, Milo Hastings, Arthur Dudley Vinton, Gertrude Barrows Bennett, E. M. Forster, Samuel Butler, Edwin A. Abbott, Anthony Trollope, Fritz Leiber, Richard Stockham, Irving E. Cox, Cleveland Moffett, Richard Jefferies, William Dean Howells, Philip Francis Nowlan, Rokeya Sakhawat Hossain & George Griffith

DAWN OF THE APOCALYPSE

By Ayn Rand, H.G. Wells, Jack London, Jonathan Swift, Edward Bulwer-Lytton, Edgar Allan Poe, Owen Gregory, Hugh Benson, Edward Bellamy, Mary Shelley, William Hope Hodgson, Fred M. White, Ignatius Donnelly, Ernest Bramah, Milo Hastings, Arthur Dudley Vinton, Gertrude Barrows Bennett, E. M. Forster, Samuel Butler, Edwin A. Abbott, Anthony Trollope, Fritz Leiber, Richard Stockham, Irving E. Cox, Cleveland Moffett, Richard Jefferies, William Dean Howells, Philip Francis Nowlan, Rokeya Sakhawat Hossain & George Griffith

  • Release Date: 2018-08-19
  • Genre: Science Fiction

Description

DAWN OF THE APOCALYPSE gathers foundational visions of catastrophe, social collapse, and remade futures across satire, Gothic romance, scientific romance, dystopia, and speculative adventure. Its range extends from plague-ravaged landscapes and planetary disaster to authoritarian states, technological menace, and utopian schemes turned troubling. By placing classic nightmare narratives beside politically charged future histories and uncanny tales of survival, the volume reveals apocalypse not merely as an ending, but as a form for testing civilization's moral, scientific, and imaginative limits. The contributors represent a remarkably broad lineage of Anglophone and transnational speculative writing, from nineteenth-century Gothic and Victorian social criticism through early twentieth-century science fiction and modern ideological dystopia. These writers engage imperial expansion, industrial modernity, war, class conflict, gendered confinement, religious anxiety, and the promises and perils of rational planning. Their differing cultural positions and literary methods make the anthology a compact history of how speculative fiction developed as a language for diagnosing collective fear and imagining alternatives. Recommended for students, scholars, and general readers of science fiction, dystopian literature, and cultural history, this collection offers an exceptional comparative reading experience. Its many voices invite readers to trace recurring apocalyptic motifs while recognizing the distinct ethical and political questions each work raises. DAWN OF THE APOCALYPSE is both an accessible gateway to the genre's formative texts and a rich forum for dialogue across eras, styles, and visions of humanity's future.